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Yannick Nézet-Séguin, conductor

Photo Marco Borggreve

Yannick Nézet-Séguin is one of the fastest-rising stars on the international classical music scene. Acclaimed by musicians, audiences and critics alike for his musicality, dedication and charisma, he is in great demand as a symphonic and operatic conductor and has appeared with leading orchestras around the world.

In 2008, Yannick Nézet-Séguin was appointed Music Director of the Rotterdam Philharmonic Orchestra and Principal Guest Conductor of the London Philharmonic Orchestra. Artistic director and Principal conductor of the Orchestre métropolitain (Montreal) since March 2000, he has drastically raised the orchestra’s standards and popularity, and infused the musicians with his passion for music of many different styles as well.

A native of Montreal, his initial studies at the Conservatoire de Musique du Québec in Montreal (five prizes with great distinction) were followed by master classes with

renowned conductors, notably the great Italian maestro Carlo Maria Giulini. He has worked with most of the major orchestras across Canada: Toronto, Ottawa (National Arts Centre), Montréal, Vancouver, Edmonton, Calgary and also Victoria where he was Principal Guest Conductor between 2003 and 2006. In June 2010, he will conduct his first performances of Mahler's Eighth Symphony (Symphony of a thousand) with the combined forces of the National Arts Centre Orchestra and the Orchestre métropolitain.

Following his European debut in late 2004 with Orchestre national du Capitole de Toulouse, he swiftly established a fine reputation in Europe, appearing with a wide range of orchestras, among them the National de France, the Royal Stockholm Philharmonic, the Birmingham, Sydney, Frankfurt Radio and Flemish Radio Symphony Orchestras, Scottish Chamber Orchestra and Northern Sinfonia, and received re-invitations across the board. He is now a sought-after guest conductor of leading ensembles in the USA and Europe, among them Staatskapelle Dresden, Chamber Orchestra of Europe, Philadelphia Orchestra and Boston Symphony. Recent symphonic highlights include the Rotterdam Philharmonic’s highly successful Far East (Summer 2008) and North-American (Winter 2010) tours, London BBC Proms and New York’s Mostly Mozart Festival debuts (2009) and Wiener Philharmoniker debut (2010). Upcoming engagements include his debut with the Berliner Philharmoniker.

His first opera productions for l'Opéra de Montréal have included Monteverdi’s L'incoronazione di Poppea, Mozart's Cosi fan Tutte, Debussy's Pelléas et Mélisande, Donizetti’s L’Elisir d’amore, Rossini’s L’Italiana in Algeri, Puccini’s Turandot and La Bohème. His most recent Canadian productions have been Gounod’s Faust for Canadian Opera (2007), and Madama Butterfly in Montreal (2008).

Photo Marco Borggreve

In August 2008, he made an outstandingly successful Salzburg Festival debut conducting the Mozarteum Orchestra in a new production of Gounod’s Roméo and Juliette with a cast led by Rolando Villazon and Nino Machaidze; the Salzburg Festival 2010 will see him conduct the same production and also Mozart’s Don Giovanni. In May 2009, he made his debut at the Netherlands Opera conducting Janacek's The Makropoulos Case; during Spring 2010, he will return for Puccini’s Turandot; another production is scheduled for 2011/2012. More recently, he made his acclaimed New York Metropolitan Opera debuts, conducting a new production of Carmen starring Roberto Alagna and Elina Garanča; he will return next November for a new production of Verdi’s Don Carlo; next three years are scheduled as well. Debuts for La Scala, Milan, and the Royal Opera House, Covent Garden, will take place in 2010–11 and 2011–12 respectively.

His first three Rotterdam Philharmonic recordings for EMI/Virgin label have been very well received, and his extensive ATMA Classique discography with the Orchestre métropolitain includes several award-winning recordings.

In May 2009, he has received in London the prestigious Royal Philharmonic Society Award, in the Young Artists category, highlighting his flair, originality, maturity and engagement as a Principal Guest Conductor, with the London Philharmonic Orchestra. Other honours include the Virginia-Parker Award from the Canada Council (2000) and many Prix Opus from the Conseil québécois de la musique. In April 2010, from the Governor General of Canada’s Performing Arts Awards, he will receive the National Arts Centre Award, in recognition of his achievements over the past year, a time where his star has continued to rise, both in Canada and around the globe.

  Updates March 1st, 2010